And her father-her father's grandfather came over from Portugal and settled in Roxbury where he had three children: two girls, Gertrude, Mary, and my grandfather Franklin Costa. My mother's maternal side of the family were Vose, and I believe I might have been 15th or 16th-generation Vose.
The family, the Hunter family originally came over here from Scotland. My father's family owned quarries and ran quarries in Quincy-his grandparents and his grandfather's brother.
HUNTER: Well, I was born in 1928 in Boston to George Irvin Hunter and Hazel Frances Hunter whose maiden name is Costa. I'd like to particularly follow the stream of your life, and therefore, begin if you can say something about your family, some of your earliest experiences, and then we'll get into some of the more mature things. BROWN: This is January 11, 1972, interview with Robert Douglas Hunter, Robert Brown the interviewer. Uh, well, I-isn't it curious when you have to say something like that unofficially, how it's. BROWN: Can you hear just a little bit, anything? The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. This transcript has been lightly edited for readability by the Archives of American Art. The Archives of American Art has reviewed the transcript and has made corrections and emendations. Brown for the Archives of American Art, Smithsonian Institution. The interview took place in Boston, Massachusetts, and was conducted by Robert F. The following oral history transcript is the result of a recorded interview with Robert Douglas Hunter on January 11, 1972, January 25 and February 8, 1973.
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